Disney Gallery for The Mandalorian's first season went deep into Lucasfilm's freshly created StageCraft technology. StageCraft, unlike blue or green screens, allows for the production to project the scenery of their intended location around the set that they're filming on. This not only lets them to create real-time looking locations in camera for the series, but to allow for exclusive in-studio production and limit the amount of location shooting. Season two of The Mandalorian allowed Lucasfilm to combine StageCraft with one of their classic filmmaking techniques to make a new type of movie magic as the mega-episode of Disney Gallery about this year's episodes reveal!
The Disney Gallery behind-the-scenes documentary for season two of The Mandalorian was just one super-sized episode rather than a full season of making of content, and at one point in the episode some of the creative minds at Lucasfilm go into detail about their use of miniature models for the Star Wars series. Miniatures have been a staple of Star Wars productions over the years, with various ships combined with trick photography to show them flying through space or crashing into the trench of the Death Star. In The Mandalorian season two they combined their miniatures with StageCraft to create literal movie magic.
As recounted by Richard Bluff, visual effects supervisor on the series, not only did they create models for ships to be used in season two of the series; but they could take those models and scan them into their computer, then use them in the images projected onto StageCraft screens. This was used a few times in the series for moments of the Razor Crest ship flying over locations. One instance where it was used that is a perfect example of Lucasfilm's creativity at work though comes in the seventh episode of season two.
Today, Star Wars: Galaxy’s Edge is a reality. Set in the village of Black Spire Outpost on the wild frontier planet of Batuu, the land features shops, restaurants and two unique attractions: Millennium Falcon: Smugglers Run and Star Wars: Rise of the Resistance. The fan-favorite land is already one of the highest rated experiences at both. Star Wars: Jedi Fallen Order Mod Lets You Play as The Mandalorian. A modder has managed to bring Din Djarin from The Mandalorian into EA's Star Wars: Jedi Fallen Order. The Star Wars logo lettering is very similar to a font named Starjedi created by Boba Fonts, which is free to use and you can download it for free here. If you do not want to download and install the font but just like to create simple text logos using Star Wars Font, just use the text generator below. These Star Wars paper crafts could even be hung as Christmas tree ornaments with string attached! You could even sprinkle glue and glitter on them for an especially festive feel. Artist Anthony Herrera offers a variety of other free DIY holiday decorations inspired by a galaxy far, far away — including a clone trooper snowflake, an Obi-Wan. Create a Fun Classroom Besides decorating with Star Wars™ supplies, you can also use the products in this collection to add a fun element to your everyday lessons. Hand out Star Wars™ themed rewards for high scores or good behavior. Use cut-outs for dress-up and imaginary play or put Star Wars™ stickers on completed homework assignments. These small touches can leave a lasting impression on kids and boost their motivation at school.
The episode begins with Bill Burr's Mayfeld in captivity and working in a scrap yard, a place where busted up TIE Fighters and other random metal are strewn about. What makes this imagery, which is only a few minutes long in the episode, so unique is that the background of this entire planet was a model. Bluff explains in the episode that one of their model makers created a series of busted and wrecked TIE Fighters across a table which was then scanned in and projected on the StageCraft screens to create the background, take a look below at the models and how it appears in the episode.
'That's an example of taking the practical models and bringing it into today's technology,' Bluff sayd. 'It looks like we're transported right back to the late 70s or early 80s, doing exactly the same what George did and we have that characteristic. It takes me back to when I was a kid when I wanted it, I wanted that model. It's pretty spectacular.'
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